This is music for night owls and ne’er-do-wells. ![]() ![]() The message is made loud and clear from the get go: this is not music for do-gooders. The ominous signs of things to come start with the album cover, where a winged Scott sits on top of a throne, his face covered in a cloud of smoke. The “Antidote” rapper, whose sound falls somewhere between the braggadocio of Kanye West and the tortured, self-consciousness of Kurt Cobain, swings back with a vicious left hook on “Birds in the Trap Sing McKnight,” his heavily anticipated sequel to 2015’s “Rodeo.” And true to form, the Missouri City, TX, native spits bars that are equal parts celebration and somber soliloquy. Travis Scott is quickly becoming one of hip-hop’s most iconic voices.
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